How to Read the Bible for All It’s Worth, Session VII
The Gospels
A teaching by
based
upon the book by the same title,
written
by Gordon Fee and Douglas Stuart
INTRO:
A. REVIEW of 1st week’s class
1. the need to interpret:
whenever we read anything:
we are interpreting as we go
2. Goal of interpretation: to get to the plain meaning of the text
…so
we can hear what God wants us to hear in it
3. Working definition of scripture:
“The Bible is the Word of God, expressed in
human words in history.”
4. 2 essential tasks of interpretation
a. exegesis: deciphering what it meant there and then
“What
was the intended meaning of the original writers to their original audiences?”
b. hermeneutics: bridging from the there and then to the here
and now
“How
does the original meaning apply to us?”
B. Review of 2nd week’s class: Bible translations
1. 3 approaches of translators:
a. formal equivalence
–
b. functional equivalence
–
c. free translation –
2. My vote:
Functional Equivalence
C. Review of
3rd & 4th weeks’ classes: The
Epistles
1. exegesis: primary task: to reconstruct whatever it was
the situation
à intent of writer
2. hermeneutics:
a. use common sense
b. Distinguish
between teachings that are emphatic & central, vs. teachings that are situational & peripheral.
c. Exercise charity
when interpreting
D. 5th
week: Old Testament Narratives
1. Allow narratives to be just that: stories
Do
not turn stories into moral plays or into direct teachings
2. Narratives may illustrate a doctrine taught
elsewhere
3. In the final analysis, God is the hero of all
biblical narratives.
E. Last week:
The Book of Acts
1. All the same issues as Historical Books of OT
...PLUS…
2. The problem of biblical precedent
à the tendency to try to take
particular experiences of the early Christians and to make them normative for
all Christians thereafter
3. The basic exegesis:
The
six phase story of the Gospel’s move from Jewish roots
…the
church of all the world
4. The essential hermeneutics;
If
an action/event is repeated consistently, AND is taught elsewhere, then it probably ought to
be a pattern followed
BUT
if an action is not repeated, or falls along a different pattern elsewhere AND it is not explicitly taught
elsewhere, the it may be
illustrative BUT it is not normative
F. Today:
Gospels: One Story, Many Dimensions
1. Like
epistles and historical books: look
straightforward
a collection of teachings of Jesus plus stories about
Jesus
2. BUT
a. gospels form a
unique literary genre, with few others to compare to them
b. Our attempt to
reconstruct the original audience is complicated by
fact that Jesus had one audience AND each writer was writing for a different
audience
c. In fact, in his
earthly life, most of what he said was misunderstood and misinterpreted, even by
his closest allies, but
by the time his story was being written the writers and many others understood
his message fully.
d. The fact that every time you are interpreting
one gospel you are have the possibility that that same story
has been written about by
someone else that supposedly is allied with the one you are studying,
but who may tell the story in a different way, leads to questions of “What
really happened?”
e. There are a lot of
strange things said: “hard sayings”
f. the overall topic
“
I. The Nature of the Gospels
A. Most difficulties come from 2 facts:
1. Jesus did not write a gospel: these accounts were written by other reporters
2. There are 4 gospel accounts, not just one
B. Jesus did not write a gospel;
1. If he had, it probably would have read like a
prophetic book of the OT
2. In contrast, in Paul’s case we have both a
biographical account of his
actions in Acts PLUS his own writings in the epistles. The two together
fill out a pretty detailed and thorough report of his theology and practice of
faith
3. In Jesus’ case you have much of his teaching,
but it is filtered thru the writer
…indeed, filtered thru a translator: Jesus spoke Aramaic, but the gospels were all written in Greek.
Indeed,
many of his sayings are told in more than one gospel, and when that’s the case, usually the actual
wording differs between them.
4. FEE (p. 128-9): “God gave us what we know about Jesus’
earthly ministry in this way, not in another way that might better suit someone’s mechanistic, tape-recorder
mentality. And in any case, the fact that the gospels were not
written by Jesus but about
him is a part of their genius, we would argue, not their weakness.
C. There are 4 gospels
1. Why?
We don’t have 4 books of the Acts of the Apostles
2. Why keep Mark since most of what he writes is
found in either Mt. or Lk or both?
3. Why four?
a. one simple
answer: four different communities of
believers needed their own account of the life
of Jesus
1) Mark wrote first
2) then Mt. and Luke
3) then years later, John
b. one theological
answer: the Holy Spirit intended it that
way
c. but enlarging the
first reason:
1)
interest of the apostles to record as much as possible
about Jesus only increased as they grew
older. They wanted his story well told for generations that might
follow. 2) As the community
of faith was expanding from rural, Aramaic-speaking
D. One other point about the genre:
These
gospels are not biographies in the pure sense of the term
2nd
century church father, Justin Martyr, defined the genre well:
he called these the “memoirs of the apostles”
In the
process, the gospels do record facts about
Jesus…
…recall
the teaching of Jesus…
…and
bear witness to Jesus.
II. The Historical
Context
A. As taught in past weeks: The first step of exegesis:
Reconstruct
the original situation being addressed
B. This is a more complex task in the case of
the gospels, since they are 2-level
documents.
1. there’s Jesus’
context of ministry in
--doing
ministry prior to the resurrection and Pentecost
2. and there’s each
writer’s context years later, and usually far away
--doing
ministry after resurrection and Pentecost
3. There is enormous speculative scholarship in
this area
…with
scholars agreeing that the writers clearly shaped the historical account of Jesus’ life
…BUT
with some extremists, e.g., Jesus Seminar, claiming that much or even most of what’s said about
Jesus is fabricated.
C. The historical context of Jesus in General
1. for background of life of Jesus:
bibliography:
Joachim
Jeremias,
2. Of Jesus’ teaching style: parables
we will give another week to that topic next week
He
used a variety of parable methods
Jesus
also used other teaching forms like proverbs, similes & metaphors, questions, and irony to name a
few.
D. The historical Context of Jesus in particular
1. Hard to reconstruct because many of his
teachings and events are reported with little, if any, context
REASON: Because Jesus’ teachings were spread abroad widely and orally for 30 years or more
before they were written.
2. Writers often would introduce a story or
teaching by saying, “Then...” or “Immediately…”
3. What is striking, when you can decipher it,
is how Jesus’ teachings were so shaped by the audience he was
addressing at any given time
Art
Baird: Audience criticism
Was Jesus addressing the 12? the larger band of
disciples?
the crowds? opponents?
E. The historical context of the gospel writer (aka evangelist)
i.e.,
the situation and people each writer was addressing
that prompted him to write this account
This
requires some educated guess work, given that we don’t actually know who wrote these books.
They were not signed works, cf., most
of Paul’s letters.
Here
Bible dictionaries do help try to reconstruct
III. The Literary
Context
The
key: thinking “Horizontally” and
“Vertically”
[[INTRODUCE: Gospel Harmony]]
A. Think horizontally:
1. compare any one text
with the other gospels’ accounts of that text
a. this helps us to
discover that is distinctive about the account we are
studying
b. this helps us see
how the particular story lived itself out in difference Christian contexts in the 1st
century
2. NOTE:
many believers assume the gospels were written simply by divine inspiration
TRUTH: Matt and Luke probably had copies of the
earlier accounts
in hand—as well as at least one other source—as
they wrote.
Whereas John probably did
not.
SO
points of difference are for cause
3. illustrated: p. 136
“The
following conclusions seem inevitable:
John
represents a clearly independent
telling of the story. He uses only those words absolutely necessary
to be telling the same story, an
even uses a different Greek word for “fish.”!
The
other three are just as clearly interdependent
in some way.
B. Think Vertically
This
points our effort more toward the movement of ideas by the particular gospel writer.
NOTE: In doing Bible study, we are not trying to be
pure historians to
reconstruct the life of Jesus. The
scriptures as we have them are inspired
by the HS. Reconstructions of Jesus’
life are not inspired.
In this
case we are following the flow of ideas in each gospel account to see where the
writer is taking us.
C. Interpreting the gospels as wholes
Keep in
mind that as they wrote these accounts, they were exercising three kinds of options:
1. selectivity
2. arrangement
3. adaptation
ENLARGED:
1. selectivity: what events and teachings of Jesus serve a
purpose in my
telling this gospel story?
NOTE: John tell us of his selectivity (
2. arrangement: What flow of ideas am I pursuing, and how
shall I arrange these stories about and quotes from
Jesus accordingly?
3. adaptation: “How shall I adapt and apply a
story/periscope from Jesus’ life to make my intended point?”
this accounts
for most apparent contradictions in gospel accounts
e.g.,
fig tree withering
IV. Some Hermeneutical
Observations
A. The imperatives of Jesus need to be brought
into 21st century as are Paul’s
teachings
B. Jesus’ commands often have been avoided as
throwbacks to OT legalism
Reality:
they are not methods of salvation
BUT
they are direction for living in the grace-filled life
C. Key theme:
1. the
expectation: John the Baptist: “The
anticipation was at feverish pitch
2. messianic
expectations were fueled by Jesus
…anticipation
of liberation from
3. crucifixion crushed
hopes
4. resurrection renewed
such hopes
5. expected “Now will
establish the kingdom”
6. Yes, but no:
Giving of Holy Spirit à kingdom
7. result
already-not yet reality
the in-breaking of the new …but not yet the end of the old
see p. 147, first pp.
CLOSING:
next
week: Parables
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